Sierra carves a lone mountain from chance and serendipity.

From thousands of generative outputs, Matt DesLauriers was struck by an artwork that broke the confines of his algorithm. Like a mountain reaching out from the landscape below, his code had arranged colours to cast an ‘alpenglow’. This optical phenomenon occurs when the sun dips below the horizon, bathing mountain peaks in a fiery glow.

The dialogue of colour theory was pivotal in transforming the digital artwork into a print. The palette of DesLauriers’ algorithm, while striking in digital form, presented challenges for silkscreen printing. This led to a careful unravelling of the original RGB palette into CMYK components. 15 layers of ink flood a creamy off-white background, creating a textured depth reminiscent of a woodcut print. Finally, a layer of fluorescent ink is applied to the red and yellow areas, capturing the warm iridescent sheen of alpenglow.