Trashbags

Sculpture

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Trashbags Detail
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Trashbags Detail
Trashbags Detail

Product Description

  • ArtistLars Fisk
  • Year2008
  • Edition1 of 3
  • Dimensions18.25 x 16 x 13 in
  • MaterialsCast Bronze

Description

Trashbags (Maquette), 2008.

This is a 1:4 scale maquette of Trashbags, a marble-carved version at life-size.

Plaster A/P version in the collection of the Robert Hull Fleming Museum, Burlington, VT.

Marble version exhibited at Socrates Sculpture Park, NYC, The Aldrich Museum, Ridgefield, CT. Currently in the collection of James F. Dicke.


“In Trashbags, Fisk has meticulously carved a life-size pile of seven heavy-duty twist-tie trash bags out of a single piece of black marble. The sculpture functions as a trompe l’oeil object, startling the viewer by appearing to be a pile of waste placed in the pristine setting of an art gallery or museum.

By imagining refuse as immutable, Fisk asks us to reconsider issues of permanence with respect to human consumption. Does our planet's waste ever really go away, or is it with us for eternity?” 

Authentication

  • SourceDirect from Artist
  • Authenticated byAmericana Technologies, Inc
  • Authenticated onFebruary 29, 2024

Provenance

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Vaulting Status

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    Verified Authentic

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    Securely Vaulted

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    360 Capture Complete

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Token Details

  • Token Standard

    ERC-721

  • Chain

    Ethereum

More from this creator.

Lars Fisk
Lars Fisk

Selections here from three distinct projects by Lars Fisk: Balls (1996-present), Trash (2008) and Das Dings (2023). The Balls are a series of sculptures where familiar subjects such as a tree, a barn, or a UPS truck (to name a few) undergo a shape-shift into that of a sphere. As the artist says, “To make a ball of something is to abstract it into a kernel of itself. I want to strip it down to its most basic, identifiable features to see what we might find underneath the physical, like its essence. I’m curious about what happens to our perception when presented with something in this state. Can we still see it for what it isn’t?”. The sphere is the most pure and perfect of forms, a shape that lies at the heart of physics, philosophy, religion, geometry, and astronomy... it also presents the ultimate technical challenge for a sculptor. In a world in which most stock materials are based on straight lines, planes, and right angles, flawlessly bending these products to one’s curved will is an indication of an impressive mastery of technique and materials, as well as evidence of an overpowering desire for order. Fisk’s formal invention, sculptural prowess, and precise attention to detail yield sculptures that are surprising, humorous, accessible, and profound.

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